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In this book, for the first time, Chu turns the lens on his own life and work, telling the universal story of questioning what it means when your dreams collide with your circumstances, and showing how it’s possible to succeed even when the world changes beyond all recognition. With striking candor and unrivaled insights, Chu offers a firsthand account of the collision of Silicon Valley and Hollywood—what it’s been like to watch his old world shatter and reshape his new one. 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Why do we read? What is it that we hope to take away from the intimate, personal experience of reading for pleasure? Rarely do we ask these profound, expansive questions of ourselves and of our relationship to the joy of reading. In each of the essays in Every Day I Read, Hwang Bo-reum contemplates what living a life immersed in reading means. She goes beyond the usual questions of what to read and how often, exploring the relationship between reading and writing, when to turn to a bestseller vs. browse the corners of a bookstore, the value of reading outside of your favorite genre, falling in love with book characters, and more. Every Day I Read provides many quiet moments for introspection and reflection, encouraging book-lovers to explore what reading means to each of us. While this is a book about books, at its heart is an attitude to life, one outside capitalism and climbing the corporate ladder. 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A daughter of Korean immigrants, Hyeseung Song spends her earliest years in the cane fields of Texas where her loyalties are divided between a restless father in search of Big Money, and a beautiful yet domineering mother whose resentments about her own life compromises her relationship with her daughter. With her parents at constant odds, Song learns more words in Korean for hatred than love. When the family’s fake Gucci business lands them in bankruptcy, Song moves to a new elementary school. On her first day, a girl asks the teacher: “Can she speak English?” Neither rich nor white, Song does what is necessary to be visible: she internalizes the model minority myth as well as her beloved mother’s dreams to see her on a secure path. Song meets these expectations by attending the best Ivy League universities in the country. But when she wavers, in search of an artistic life on her own terms, her mother warns, “Happiness is what unexceptional people tell themselves when they don’t have the talent and drive to go after real success.” Years of self-erasure take a toll on Song as she experiences recurring episodes of depression and mania. A thought repeats: I want to die. I want to die. Song enters a psychiatric hospital where she meets patients with similar struggles. 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Bored with her life and feeling stuck, Mia Kankimèaki leaves her job, sells her apartment, and decides to travel the world, following the paths of the female explorers and artists from history who have long inspired her. She flies to Tanzania and then to Kenya to see where Karen Blixen--of Out of Africa fame--lived in the 1920s. In Japan, Mia attempts to cure her depression while researching Yayoi Kusama, the contemporary artist who has voluntarily lived in a psychiatric hospital for decades. In Italy, Mia spends her days looking for the works of forgotten Renaissance women painters of the Uffizi Gallery in Florence, and finally finds her heroines in the portraits of Sofonisba Anguissola, Lavinia Fontana, and Atremisia Gentileschi. 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They also define, at least for me, the values that flow through the customs, traditions, arts and sensibilities of Japan.” Though she’s known for “tidying up” and “sparking joy,” there’s more to Marie Kondo than her fervent desire to help you better appreciate your mess. Across book tours and international conferences, it became clear that her audience, while interested in how to keep their lives tidy, was also keen to learn about Marie herself and the culture that is intrinsic to her tidying method. Written with her television co-star Marie Iida, in Letter from Japan, Marie reflects on the myriad questions she received about her inspirations by examining the Japanese customs that she grew up with—minute details of tea ceremonies, the art of taking care of gardens, and the power of passing seasons—with her trademark gentle wisdom. But this book isn’t only a response to her audience’s wish to know the real Marie Kondo; it’s a testament for her three children, a documentation of the foundational elements of their culture, despite the rapidly changing times, which is essential to their understanding of the world around them. 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This short manga (50 pages long) was written after My Wandering Warrior Existence and was only released on digital platforms in Japan. Seven Seas initially published the manga in English as an ebook exclusive before the release of the book written after it-My Pancreas Broke, But My Life Got Better-in order to preserve the chronological timeline of new entries in Nagata Kabi's powerful autobiographical series. 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Mother Mary Comes to Me, Arundhati Roy’s first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as “my shelter and my storm.” “Heart-smashed” by her mother Mary’s death in September 2022 yet puzzled and “more than a little ashamed” by the intensity of her response, Roy began to write, to make sense of her feelings about the mother she ran from at age eighteen, “not because I didn’t love her, but in order to be able to continue to love her.” And so begins this astonishing, sometimes disturbing, and surprisingly funny memoir of the author’s journey from her childhood in Kerala, India, where her single mother founded a school, to the writing of her prizewinning novels and essays, through today. With the scale, sweep, and depth of her novels, The God of Small Things and The Ministry of Utmost Happiness, and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace—a memoir like no other.\u003c\/p\u003e","brand":"Scribner Book Company","offers":[{"title":"New","offer_id":51620720705818,"sku":"N9781668094716","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9462\/2234\/files\/9781668094716.jpg?v=1776270064"},{"product_id":"two-women-living-together-the-bestselling-korean","title":"Two Women Living Together: The Bestselling Korean Memoir","description":"\u003cp\u003eThe big-hearted, bestselling South Korean memoir co-written by two best friends flouting gender norms and societal expectations with their decision to grow old together under one roof.\u003c\/p\u003e \u003cp\u003eWhen most of their peers were moving in with romantic partners and having children, Kim Hana and Hwang Sunwoo chose independence--savoring solitude, quiet mornings, and the unmitigated freedom of living alone. But in their forties, something shifted, and they were met with a new, unexpected loneliness. Refusing to settle for the outdated choice between marriage or isolation, Hana and Sunwoo made a radical decision: to buy a home and live together--not as lovers, not as roommates, but as chosen family.\u003c\/p\u003e \u003cp\u003eNow a bustling household of two women and four cats, Hana and Sunwoo still value solitude, but can do so while sharing a life and its meaning with someone else. Together they navigate the challenges and comforts of cohabiting in midlife, the growing pains of interdependence and the unexpected rewards of compromise when you've grown set in your ways. 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Moving elegantly across a wide range of themes including nature, society, and her own flirtations, Sei Shonagon provides a witty and intimate window on a woman's life at court in classical Japan. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. 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